Gwynne Forster creates a fictional world of ideas and passion . . . delivered in accomplished prose that challenges us to think, feel, and imagine.

- Robert Fleming

 

                                           

Don't Just Sit There: DO SOMETHING

Getting Started

by Gwynne Forster

            You want to walk into Barnes & Noble and see your masterpiece on the shelf beside the works of Kimberla Roby, Donna Hill, Timothy McCann and the rest of us published authors. You want to pick up the phone one morning and shriek with joy when you hear an editor's voice say, "We love your book; how does a three book contract sound?" Those of us who have had that experience, heard those words share at least one more thing: we sat down and wrote. Put aside the pipe dreams; stop jumping from theme to theme, idea to idea and manuscript to manuscript; decide that you intend to be a published author, and give yourself a deadline by which to complete ONE credible work of fiction.

Decide what you want to write and stick to it

            The mind set of a short story writer differs markedly from that of a writer of full length novels. Decide which you will write and whether it will be romance, romantic suspense or women's fiction, for examples. Having decided, don't change unless you've demonstrated to yourself that you can't do it.

How much time can you invest in your writing and when can you write?

            Set aside a time and place to write, and decide how long you can write with minimum interruption.  Get the cooperation of family and friends to ensure yourself the period of solitude that you need. If you've chosen the hours five to seven am, for example, always write at that time, and do it every day. 

Be prepared to sacrifice something.

            If you could only find the time, you say. How many papers do you read daily? Magazines? How many hours do you watch television, gossip with friends on the phone, shop aimlessly out of habit? Put on your answering machine, ignore the calls and return them when you've finished writing. You don't have to answer the phone just because someone wants to talk to you. That is  their program, not yours. It takes discipline, motivation and drive. You want something big? You have to give up something.

Decide how much you will accomplish each day.

            Set achievable goals. One paragraph at a sitting. One page a day. When you've shown yourself that you can write a good page each day (if you do that every day, at the end of the year you'll have a 365 page book), try to write a thousand words each day. In this way, each day will be a triumph, and you will be encouraged to reach higher.

Set up a filing system

            Accomplished writers keep good records. Computer files can be damaged, so consider keeping correspondence separately on hard copy. At the minimum, you will need records of expenditures for tax purposes, story ideas and correspondence with editors and agents. For your writing, it is important to keep records of your major characters as you have developed them  (speech patterns, habits, education, eye color, length of hair, occupation, heroine's favorite color, perfume, etc), outlines, sequential scenes and so on. Your files should include the results of your research, eg. symptoms of your heroine's affliction, the name of the highway that leads to John's town, number of people who live in the town, its industrial base, names of its schools, monuments, etc. Finding information on a diskette can be time consuming, and you may lose your train of thought; a note book is handier. Later, you will need a more comprehensive filing system. Store your manuscript on your hard disk plus two CDs or a USB drive. Once you have either a computer crash, you'll be glad you did.

Chose the best tools you can afford

            Use a PC (personal computer) with a DOS system, if possible. Fit it for extensive and easy access to the internet so as to facilitate both research and communication with others in writing and publishing. Get a thesaurus, The American Heritage Unabridged Dic-tion-ary (1996 or later  edition), a dictionary of similes and a thesaurus of slang.

 Be prepared 

            Take pen and paper every place you go. Once ideas play around in your head, they seldom if ever return in the same mold. See you at your booksigning.

 

Copyright Gwynne Forster 2001, New York, NY

           

 

 

HOME | BOOKS | CONTACT | SITEMAP